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Welcome to an all-new season of The New Yankee Workshop
Giltwood Mirror - Program #1901
Season Premiere: Saturday, January 6 at 1:00 pm ET (check local listings)
One of the most challenging projects ever attempted on The New Yankee Workshop
comes when Norm tries his hand at reproducing a Federal-style Giltwood Mirror. It isn’t
the woodworking that is particularly difficult. Norm makes that part seem easy. It’s trying
to gild the mirror with gold leaf and make the frame appear as solid gold that takes
time, patience, and lots of skill. Norm picks up the history of Giltwood and sees some
remarkable examples when antiques expert Gary Sullivan discusses his collection. Then,
Norm visits Linda Abrams a gilder and reverse painter for an understanding of what it
takes to turn wood into gold. The mirror Norm makes is 21” w x 41” h.
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Entrance Door - Program #1902
Saturday, January 13 at 1:00 pm ET (check local listings)
It would be hard to think of a more important element of a home’s appeal than its
entranceway. But all too often, modern doors are an unremarkable (yet necessary)
feature quickly forgotten by those who pass through them. Not so with this custom-made,
mahogany beauty that Norm creates in The New Yankee Workshop. He designs and builds
it from scratch for an old house that cries out for a new door. Along the way, he is able to
find a pair of antique looking “Bulls Eye” glass inserts and a handsome brass knob and
lock to set off this masterpiece. The dimensions are 36” w x 84” h.
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Old Pine Dry Sink - Program #1903
Saturday, January 20 at 1:00 pm ET (check local listings)
Arlington House sits high above the National Cemetery in Virginia as an imposing witness
to historic events. Once the home of Robert E. Lee, it survives today under the watchful
care of the National Park Service and is brimming with antiques of the Civil War era.
Historic records prove that, at one time, the estate owned 63 slaves, some of whom
worked in the kitchen. Lots of the tools and everyday objects they would have used still
take up residence in the house, including a painted Old Pine Dry Sink. Norm notices it
immediately and decides to build one himself out of recycled pine. However, the only
water Norm’s dry sink will ever see is from tending the houseplants he intends to display
on its copper top. The dimensions are 48” l x 21” w x 37” h.
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Martha's Candlestand - Program #1904
Saturday, January 27 at 1:00 pm ET (check local listings)
To see Martha Washington’s bedroom, you’ll have to talk to the Ladies of Mount Vernon, who look after
the first President’s mansion near the Potomac River. Although not officially on the tour of Mount Vernon,
the Ladies agree to take Norm to parts of the old house that the public rarely sees. In one such room,
the third floor bedroom that Martha took after George died, Norm comes across a handsome candlestand that sits near the bed. Upon further inspection, he discovers that it is a diminutive, wellcrafted
stand complete with a wooden “birdcage” element that allows the tabletop to rotate and flip up
for storage. Before he leaves Mount Vernon, Norm works with a sawyer of historic wood, William Jewell, to
obtain some cherry (what else?) harvested from one of the estate’s fallen trees. The dimensions are 19”
d X 28” h.
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Dominy Clock - Program #1905
Saturday, February 3 at 1:00 pm ET (check local listings)
Without dispute, one of the greatest collections of American antiques resides at the Winterthur Museum
in Delaware. One of the Museum’s most popular displays, the original workshops of the Dominy family,
quickly draws Norm’s attention. The Dominys were clock and cabinetmakers who worked in eastern Long
Island from the 1730s to the 1830s, creating high-quality clocks and furniture. Norm visits the exhibit
and selects a clock, circa 1821, from the Dominy collection to reproduce back in the Workshop. Inspired
by the Dominy clock, and up for the woodworking challenge, Norm builds his own simple tall case clock
out of poplar and paints it to resemble the original. The dimensions are 86” h x 13” w x 7” d.
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Cowboy Sideboard - Program #1906
Saturday, February 10 at 1:00 pm ET (check local listings)
Wyoming antiques dealer Terry Winchell wants everybody to know about the remarkable work of furniture
designer Thomas Molesworth. In the 1930s, from his base in Cody, Wyoming, Molesworth created
“Cowboy”-style furnishings made from peeled Douglas fir logs, stretched red leather, and routed out
images of Indian teepees, animal tracks, and shooting irons. Dwight Eisenhower was a fan of this
particularly distinctive dude ranch furniture, as was Thomas Yawkey (once the owner of Norm’s beloved
Red Sox). Today, Molesworth is very collectable, as Norm finds out when he visits Winchell at his
operation in Jackson Hole. The ultimate New England craftsman brings a little bit of Western sensibility
into his Yankee workshop when he decides to takes on a Molesworth-style sideboard for his own
collection. The dimensions are 47” l x 19” w x 32” h.
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Painted Cupboard - Program #1907
Saturday, February 17 at 1:00 pm ET (check local listings)
Little is known about the handsome Painted Cupboard, which resides in one of the period rooms in
the elegant country estate at the Winterthur Museum in Delaware. On a guided tour with Director of
Conservation Gregory Landrey, Norm discovers the cupboard and is drawn to its scale, the unusual arched
top door, and the “pinched” cornice that towers above the case. Norm will build his own version to the
same dimensions back at The New Yankee Workshop and even matches the green blue paint on the
exterior and the wine red color used for the interior. The dimensions are 11” d x 31” w x 88” h.
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Table Saw 101 (2-Part) Programs #1908 and #1909
Saturday, February 24 at 1:00 pm ET (check local listings)
Saturday, March 3 at 1:00 pm ET (check local listings)
As with his previous programs dedicated to a single tool, Norm takes viewers on a special two-part
program that explores the usefulness of the table saw. He begins by showing various table saws and
what they can do and goes on to describe and demonstrate adjustments to make them more accurate.
In the first program, he concentrates on the most common task a table saw will be asked to do—ripping.
Norm discusses how to do it safely and accurately. He demonstrates his technique for cutting large
panels and shows a safe way to handle narrow stock. He completes show number one by building an
ingenious “out feed” table—so clever every saw owner will want one.
In the second part of Table Saw 101, Norm goes on to demonstrate dadoing, setting up stacked dado
cutters, the making of rabbets, and the building of a sacrificial fence. Then he turns to evaluating miter
gauges and shows how they may be used to make precision miters. He demonstrates the process of
making accurate tenons with a factory-built jig. In the same program, he builds a cross cut sled and a
stop block that extends any table saw’s potential.
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Taunton Chest - Program #1910
Saturday, March 10 at 1:00 pm ET (check local listings)
The Museum of Fine Arts, Boston is a treasure house of the first order that boasts remarkable collections
of early American furniture, including some incomparable pieces by Goddard and Townsend, the famous
Colonial-era Rhode Island furniture makers.
Norm is drawn to a simple chest that is undergoing laboratory investigation at the museum. Known as
the Taunton Chest, the piece was named for the Massachusetts town where Robert Crosman (1710-1799) built it nearly three hundred years ago. This highly decorated small chest is one of only a handful
of Crosman originals that remain intact today. One like it was offered by Christie’s Auction House not long
ago and went for the amazing sum of close to three million.
Norm builds his version out of poplar and calls on decorative artist Natalie Gardner to precisely copy the
paintwork of the original design. The dimensions are 38” l x 18” w x 33” h.
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Bowfront Chest - Program #1911
Saturday, March 17 at 1:00 pm ET (check local listings)
Old Sturbridge Village is a recreated New England Village of the 1830s that includes a remarkable
collection of antique buildings and the objects you would expect to find in them. They have more than
58 restored buildings and approximately 60,000 historic artifacts that were made or would have been
used in rural New England in the early 1800s. Unfortunately, not all the Village’s holdings of period
furniture can be displayed at any one time. Many objects remain out of public view. Recently, Norm, who
is a trustee of the museum, asked the curators to put a stunning Bowfront Chest they had in storage
on display in one of the Village’s historic homes, the Salem Towne House, to inspire his New Yankee
viewers. The stunning Bowfront four-drawer chest was built by Alden Spooner working in nearby Athol,
Massachusetts in 1807. Spooner, like many furniture makers of the time, was probably well aware of
pattern books and high-style designs being made in Europe and America, and this chest may well have
been inspired by furniture brought here from Great Britain. Norm builds his version of mahogany and
is challenged to form the French feet and the dovetailed Bowfront drawers. While not a project for a
beginner, the Bowfront Chest will be of great interest to serious woodworkers. The dimensions are 40” l x
22” w x 36” h.
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Nest of Tables - Program #1912
Saturday, March 24 at 1:00 pm ET (check local listings)
Prowling antiques stores for a suitable project for his own living room, Norm encounters Matt Buckley, an
appraiser and antiques expert, who shows him an interesting Nest of Tables. Unlike anything else he has
built on the show, Norm is intrigued by these three small mahogany tables that store into one another
to form a “nest.” The example that Matt shows Norm are likely to be English circa 1920 and are derived
from the “Chippendale” style. Norm decides to build his own versions from walnut and mahogany and
he reproduces the fine inlay details of the original. The dimensions are (largest) 18” l x 14 1/2” w x 21
1/4” h.
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Window Bench - Program #1913
Saturday, March 31 at 1:00 pm ET (check local listings)
Gary Sullivan, an antiques expert and an old friend of The New Yankee Workshop, shows Norm an antique
Window Bench probably built in the early 19th century. Although it doesn’t appear to be in good condition
with it’s tattered upholstery, Gary tells Norm he wouldn't consider restoring this “rare” example of what
he believes is a “museum quality” bench. “You don't expect to see more than a handful of these in a
lifetime,” he explains to Norm. The simple bench is little more than an upholstered seat with two rolled
arms on dark wooden legs. Such benches are meant to be used at a window to frame the view or,
perhaps, at the end of a bed to sit and relax. Norm calls upon the experts at Lee Industries, the fine
furniture manufacturers, who come up from their base in North Carolina to help Norm upholster
his version of the Window Bench. The result is handsome and very comfortable. Dimensions are 53” l x
15” d x 30” h.
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